Introduzione

Authors

  • Maria Rosaria Pelizzari Università degli studi di Salerno

DOI:

https://doi.org/10.6093/1827-9198/8945

Keywords:

diversity, identity, fashion studies, genderless, sustainability

Abstract

Fashion is the unifying theme of the issue 24 of the Journal of Women and Gender Studies La Camera Blu, a monographic issue in which, thanks to an interdisciplinary perspective, essays are gathered around the concept “Diversity in Fashion”, and cross it from the point of view of identity and gender fluidity. There is also space for articles that analyse the empowerment of female businesses and subjects perceived as marginal, contributions that study the different perceptions and representations of bodies 'beyond the schemes'. A path that goes from History to Pedagogy, from Sociology to Literature, to theatrical representations, from Philosophy to Communication Sciences and marketing. We try to understand on the basis of what clues are glimpsed today future cultural and social perspectives, through inclusive marketing. To what extent can fashion be a boost for social mobility and innovation, for the elimination of stereotypes and inclusiveness?

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Author Biography

Maria Rosaria Pelizzari, Università degli studi di Salerno

Maria Rosaria Pelizzari teaches Women’s History and Gender Studies at the University of Salerno, where she is Honorary President of the OGEPO (Interdepartmental Center for Gender Studies and Equal Opportunities). She is in charge of the management of the Horizon2020 “R&I PEERS” Project (Pilot experiences for improving gender equality in research organizations). She is interested in social and cultural history, with particular reference to women’s history and gender-based violence, gambling and urban history. Among her publications (of gender history): The body and its double. History and culture, Rubbettino. (edited, 2010); MODA & MODE. Traditions and Innovation (XI-XXI Centuries), FrancoAngeli. 3 vols. (edited, 2019).

Published

2022-02-12

How to Cite

Pelizzari, M. R. (2022). Introduzione. La Camera Blu, (24). https://doi.org/10.6093/1827-9198/8945