The image of women in Soviet Manifesto

Authors

  • Mirko Orabona Università degli studi di Napoli Federico II

DOI:

https://doi.org/10.6092/1827-9198/3898

Keywords:

gender relations, women's rights, femminity

Abstract

This article summarizes the condition of women within the Bolshevik regime, focusing on the use of posters. Visual propaganda was a means to easily reach wide strata of the population. The official Party ideology, expressed through visual propaganda, contributed to the definition of new social identities, as well as to the creation of new ways of thinking and acting in Soviet society. It had its own internal dynamics and operated as an independent force in a continually evolving society in which the field of discourse was radically changing. Posters aticipated developments in Soviet society and provided a model for people to follow; they were not limited to reflecting past or current events. The posters under consideretion pertain to the representation of women in their various occupations (e.g, workers, peasants) or simply happily engaged in everyday life. The images prescribed, for example, which clothes to wear or how hair should be styled, and were without doubt powerful and pervasive; yet they were destined to meet an inevitable decline following Stalin's death, when the Soviet Union reprised its international relations.

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Author Biography

Mirko Orabona, Università degli studi di Napoli Federico II

Mirko Orabona has received a master degree in Science in historical sciences at the Università di Napoli Federico II, presenting a thesis with title: "Images and propaganda in Russia of the twentieth century (1914-1953)"

Published

2016-03-31

How to Cite

Orabona, M. (2016). The image of women in Soviet Manifesto. La Camera Blu, (13). https://doi.org/10.6092/1827-9198/3898